In a series billed as exposing "the full truth" behind the couple's life inside Britain's royal family, the Duke and Duchess of Sussex also condemned the "unconscious bias" around race within Buckingham Palace, and the lack of support they received from other royals.
[EXCLUSIVE] King MEDIA Royal Theme
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A disclaimer at the beginning of episode one states that members of the royal family "declined to comment on the content within this series." However, a senior royal source confirmed to NBC News that neither Buckingham Palace, Kensington Palace, nor any member of the royal family are aware of any such approach for comment on the content of the series.
In the third episode, the Duke of Sussex refers to a royal rota, through which different press outlets and broadcasters are given slots to cover members of the family, likening it to an extension of the palace's PR team. Buckingham Palace did not immediately respond to CNBC's request for comment on the claims.
Charles famously married Diana at the behest of the royal family, despite having a long-running and well-documented relationship with his now wife, Camilla, queen consort. William's wife Kate, the Princess of Wales, meanwhile, has been widely accepted in the media, despite being a non-royal herself.
Ohsama Sentai KingOhger has new rumors regarding the theme details for the 47th Sentai series. Combined with the Royalty theme in name, the new show has been rumored to be an insect-themed Ranger team with a twist. The show is expected to also incorporate machines and vehicles as part of the concept, which will also mix in concepts relating to isekai and magic. These rumors were recently shared on social media regarding the upcoming Sentai show for 2023.
What do you think of this concept for KingOhger? Are you excited to see an insect, machine, and isekai-themed Ranger team? Are you looking forward to seeing the Rangers for the first time? Let us know on social media, or in the comments below, and keep following The Illuminerdi for more information on the next Super Sentai series.
U.S. Strategy in the Middle East: ?PrgDate=04/01/2002&PrgID=5Talk of the Nation asks experts what the U.S. strategy should be towards the ongoing conflict in the Middle East.The Role of Other Arab Countries: ?PrgDate=04/03/2002&PrgID=5Talk of the Nation asks experts how the violence in the Middle East affects the political situation in other Arab countries. King's Ransom: How Vulnerable Are the Saudi Royals?: _FACT1In this report, the New Yorker looks at the vulnerability of the Saudi royal family.King Hussein: _east /jan-june99/hussein_2-5.htmlAs King Hussein of Jordan was near death at his palace in Amman, Jordan, after undergoing cancer treatments at the Mayo Clinic, NewsHour led a discussion about his 46-year reign. (February 1996)The Transformation of Turkey: From Islamic Empire to Modern State: _976.htmlThink Tank asks, "Can an Islamic nation be modern, democratic, secular, pro-Western -- and still be Islamic?"Country Studies: The research division of the Library of Congress provides extensive overviews of various nations.The World Factbook 2001: The Central Intelligence Agency publishes information on the geography, people, government, and economy of each Middle Eastern country.Hunting Bin Laden: Interview with Bin Laden: shows/binladen/who/interview.htmlOsama bin Laden answers questions posed to him by some of his followers at his mountaintop camp in southern Afghanistan. Later, ABC reporter John Miller is asking the questions. A Middle East History: The World tells the history of the Middle East in an effort to understand the current conflict and tension.Secrets of History: The CIA in Iran: /041600iran-cia-index.htmlA CIA document and New York Times articles and photographs depict the clumsy yet successful 1953 overthrow of Iran's government.Commanding Heights Web Site: An economist's look at world history and development from 1910 to the presentArab Human Development Report 2002: A report on the Arab world's attempts to advance human developmentUnderstanding History, Religion, and Politics in Jerusalem and Beyond: Students will acquire historical knowledge of the conflict between Israelis and Palestinians in the region, learn how to interpret a conflict from multiple perspectives, advocate for a point of view, and develop greater conflict resolution skills. Debating the News: Iraq: Students will debate the following questions: Does the U.S. have the right to go into a country and remove its government? Should the U.S. go to war with Iraq now or wait until Saddam does something against the U.S. directly? Prospects for Peace in the Israeli-Palestinian Conflict: /lessonplans/middle_east/Students will examine the root causes of the Israeli-Palestinian crisis and analyze past and present attempts at peace.Terror and Tehran: Frontline asks, does America's war on terror hold democracy hostage in Iran?
As dreams in stone, these three unique royal buildings from the 19th century reflect themes from German and European history and culture. The intellectual world of Richard Wagner, Medieval and Baroque history are vividly and elaborately recreated. Here the cultural history of the 19th century is uniquely expressed in architecture, literature, music and art, which are assembled to form a synthesis of the arts such as was only to be found in large public shows and world exhibitions. Neuschwanstein, Linderhof and Herrenchiemsee today symbolize to perfection this 19th-century phenomenon which was widespread in the Western world, and thus provide a rare insight into a largely vanished part of cultural history of which only pictures and written descriptions remain today. There is virtually nowhere else where this was manifested on such an elaborate scale and nowhere else where it has been preserved as a whole in all its original detail. They are not however just outstanding examples of a past epoch of cultural history. A look at our modern media-dominated world enables us to appreciate their significance independently of the era in which they were built.
No other patron or ruler of the 19th century produced buildings of such variety and perfection, which is why the castle and the two palaces are artistic masterpieces of their day. With the high standard set by the king, the fully preserved furnishings (e.g. furniture, tapestries, chandeliers and porcelain) of the three royal buildings are still the best of their kind from the 19th century.
With respect to their function (creation of theme worlds), the way in which they were designed and built (in successive stages rather on the basis of a uniform master plan) and their original appearance, they differ fundamentally from comparable historic architecture from this era. With his buildings, Ludwig II created architectural stage sets as permanent residences or illusion machines. By this means he made perfect reproductions of far-distant worlds or long-forgotten eras with all the theatrical and dramatic means at his disposal. With his intensive, painstaking studies, his obsession with every detail of his imaginary world and insistence on the perfect rendering of his ideas, Ludwig II resembles a modern stage director or theatre artist and thus differs fundamentally from the typical patron of his day. In order to produce a perfect simulation of the past or far-distant worlds, he issued original directions for all the architectural and artistic components: architecture, proportions, material, lighting, layout, picture composition and colour etc. Through special effects (artificial grottos, waterfalls, illuminations, a table that is lowered from the dining room to be set by servants out of sight etc.), hyperrealism (surpassing the historical model through combination with other aspects) and exclusion of the everyday world (sole occupancy or occupancy at night, location in secluded or enclosed places), Ludwig II did everything in his power to produce comprehensively illusory experiences.
The Palace of Versailles (built c.1624-98), a magnificent example of French Baroque architecture, is the most famous royal chateau in France. The gigantic scale of Versailles exemplifies the architectural theme of 'creation by division' - a series of simple repetitions rhythmically marked off by the repetition of the large windows - which expresses the fundamental values of Baroque art and in which the focal point of the interior, as well as of the entire building, is the king's bed. Among its celebrated architectural designs is the Hall of Mirrors (Galerie des Glaces), which is one of the most famous rooms in the world. Located some 20 kilometres southwest of Paris, and set amidst extensive grounds, the palace and its decoration stimulated a mini-renaissance of interior design, as well as decorative art, during the 17th and 18th centuries. Indeed, French decorative art during the period 1640-1792 - notably French Furniture - is synonymous with the French Kings Louis Quatorze (XIV), Louis Quinze (XV) and Louis Seize (XVI), after whom it is named. The many French designers and craftsmen who contributed to Versailles' architecture, furnishings and objets d'art, included Louis Le Vau, Jules Hardouin Mansart, Andre le Notre, Charles Le Brun, Jean Berain the Elder, Andre-Charles Boulle, Charles Cressent, Jean-Baptiste Oudry, Francois Lemoyne, and Juste-Aurele Meissonnier, among others. From 1682 to the beginning of the French Revolution in 1789, the Palace of Versailles housed the King and the entire French royal court, a total of some 3,000 residents, making it a symbol of the absolutism and decadence of the Ancien Regime in general, and the French monarchy in particular. The royal chateau itself is not the only building complex in the grounds, which also include five chapels, plus the Grand Trianon (1687-88), the Pavilion Francais (1749), and the Petit Trianon (1762-8) as well as 800 hectares of gardens, landscaped in the classic French Garden style. 2ff7e9595c
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